August282014

jeroenapers:

Fantastische paviljoens van Rintala Eggertsson Architects aan de Noorse kust bij Sandhornøya. De paviljoens zijn gemaakt in het kader van het reizend arctische SALT Festival, dat in verschillende landen rond de Noordpool gehouden wordt.

"SALT begins its journey upon an Arctic beach on the mountainous island of Sandhornøya, south of Bodø, Northern Norway, 29th August 2014 until 6th September 2015. Here, at this remote location, surrounded by breath-taking nature, visitors can discover a place to engage the mind, body and soul. SALT will over the coming years travel across the northernmost part of our planet, making a home in Greenland, Iceland, the Faroe Islands, Ireland, Scotland, Spitsbergen, Alaska and Russia. SALT is an ambitious and inspiring concept designed to stir the imagination. Like nothing that has come before, it will also leave no physical trace. SALT is an initiative for arts, culture and environment that will each year move to a new location in the Arctic. SALT uses the Arctic nature as a framework for strong arts and cultural experiences.”

(via archatlas:)

(via architectura)

August272014

ombuarchitecture:

RESEARCH LABORATORY

Groningen, Netherlands, 2003–2008

The facade isconstructed from flat, vertical aluminum slats, which, in places, are twisted outwards in bowed forms. Tall, vertical undulations are generated, which present an open or a closed aspect depending on the angle under which they are viewed.

On the lower level the colour yellow is used, which gradually changes to green towards the top of the building.

In the interior, two internal vertical voids allow daylight to enter the interior functioning as a form of internal facade. The two voids have the geometry of asymmetrical truncated cones which mirror each other vertically. Shared walkways surround these internal voids, creating a clear organisation whereby dark corridor systems can be avoided.On the ground floor, where daylight is at its lowest, yellow is used. Per floor this colour then deepens through to orange and finally to red on the uppermost level.

(via artisthesolution)

10AM

somethingwell:

sphere of hexagonal cells by Margaret Barry

(via dieubliche)

August262014

foulmouthedliberty:

sodomymcscurvylegs:

Being an adult is realizing that $5,000 is a lot of money to owe and very little money to own.

this is real

(via exploring-fandoms)

August222014
8PM

bottledfaerie:

essayofthoughts:

indigoumbrella:

essayofthoughts:

indigoumbrella:

huffpostarts:

In The Not So Distant Future, Glow-In-The-Dark Trees Could Replace Street Lights

Is that… is that even healthy?

There are sea organisms and fungi which glow in the dark and there’s fireflies and jellyfish which glow in the dark. It doesn’t do them any harm nor does it do the people around them any harm. I would say its pretty healthy, as well as it would mean more photosynthesis happening in cities which mean cleaner air.

I was just curious about how they were doing it and for some reason I didn’t think to click the link. But thanks! It makes more sense now. I was afraid it was some kind of chemical thing.

nah just genetic modification using existing bioluminescent genes. Genetics is really cool, and so is bioluminescence. I mean they’ve already made pigs glow using jellyfish genes and pigs are waaay more complicated than trees iirc. So they’re actually (i think) less likely to muck it up with trees.

In which case

GLOWY

FORESTS

GLOWY

TREES

GLOWY

EVERYTHING

(I like glowy things)

Hngggg

(via everything-is-connected)

8PM

archatlas:

Centro Roberto Garza Sada de Arte Arquitectura y Diseño Tadao Ando

8PM
8PM

chapmangamo:

Pokemon can only say their own names, even in different languages.

(via tastefullyoffensive)

August212014
drawingarchitecture:

Dan Liu, Capriccio of Coal Exchange. 

drawingarchitecture:

Dan Liu, Capriccio of Coal Exchange. 

August202014
8PM

cjwho:

Abbaye de Fontevraud by Patrick Jouin/ Jouin Manku | via

Patrick Jouin and Sanjit Manky is a design tandem whose works meet at the crossroads of industrial production and craftsmanship. In all their projects they seek to maintain a balance between innovation and grace. Their latest project is a fine example of this rule. The designers rearranged the interior of an old Saint-Lazare priory to host a hotel and a restaurant. Over the centuries the building had served monks and nuns, been used as a hospice and at one point even a prison. In 1980s it was first transformed into a hotel. The project reinterprets the story of Saint-Lazare for the future. Corresponding with the space which avoids unnecessary stylistic effects, the designers introduced their own pared-down and elegant style. This resulted as a sensual and refined interior of a mystical, ancient monastery.

„We quietly slipped into the Saint-Lazare priory, immersing ourselves in its history and its uniqueness. We tried to capture its essence, from its monastic simplicity to its prison austerity via the wisdom and philosophy of those who built and lived here. Then we had to fine-tune our approach, to give life to a contemporary vision that would respect and preserve the spirit of the building. We didn’t want the visitor to forget where they were. On the contrary, we wanted to assure an intimate experience of the site, allowing the visitor to appropriate fragments of the past in comfort. Achieving this also meant rising to the challenge of the constraints imposed by the building’s classification as an historic monument, notably that we were not permitted to touch the ceilings and the walls. The best approach was to find a way to turn these constraints into opportunities.”

Photography: Nicolas Mathéus

(via alwaysinstudio)

8PM
7PM
experimentsinmotion:

Asobi by Yasutoki Kariya
“Asobi” was created by art student Yasutoki Kariya for his senior thesis exhibition. Meaning “play,” the installation is comprised of 11 computer-programmed incandescent light bulbs hung from strings. They playfully re-enact Newton’s Cradle, visualizing the transfer of kinetic energy in the form of light. (via Spoon & Tamago)
More GIFs at Experiments in Motion

experimentsinmotion:

Asobi by Yasutoki Kariya

“Asobi” was created by art student Yasutoki Kariya for his senior thesis exhibition. Meaning “play,” the installation is comprised of 11 computer-programmed incandescent light bulbs hung from strings. They playfully re-enact Newton’s Cradle, visualizing the transfer of kinetic energy in the form of light. (via Spoon & Tamago)

More GIFs at Experiments in Motion

(via alwaysinstudio)

7PM

mymodernmet:

The Abyss Table is a stunning coffee table that mimics the depths of the ocean with stacked layers of wood and glass. Made by London-based furniture design company Duffy London, the limited-edition piece comes with the hefty price tag of £5,800 (nearly $10,000).

(via gianttheyoung)

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